"When you've suffered a great deal in life, each additional pain is both unbearable and trifling. My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition. I mock this skull. I look at it and I say, 'You've got the wrong fellow. You may not believe in life, but I don't believe in death. Move on!' The skull snickers and moves ever closer, but that doesn't surprise me. The reason death sticks so closely to life isn't biological necessity--it's envy. Life is so beautiful that death has fallen in love with it, a jealous, posessive love that grabs at what it can. But life leaps over oblivion lightly, losing only a thing or two of no importance, and gloom is but the passing shadow of a cloud."
Life of Pi
Yann Martel
Saturday, October 22, 2005
Casualties occur: the rich, fleecy texture of image, its extraordinary plasticity and flexibility, its private nostalgic emotional hues--all are lost when image is crammed into language -- Irvin D. Yalom
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“Y Dios muestra el futuro raramente, y por una única razón: es un futuro que fue escrito para ser cambiado.”--El Alquimista
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